art terms defined + helpful links!

Hello artists & art lovers!

Since all of our events have been postponed due to Covid-19, I’ve had a little extra time to do some digging around in the AP archives. Below is a selection of the most helpful and relevant information that has been digitally buried over the years. If you have anything to add or if you’ve got any other tips, tricks or hacks up your sleeve, feel free to email info@artspay.org or shoot us a message on any of the socials and I’d be happy to share them in a blog (and give you credit of course!)

What does “exhibition ready” mean?

  • Artwork using wet mediums must be dry, and where applicable, sealed to prevent smudging.
    Various kinds of fixatives to seal art are available at Curry's Artist Supplies in Waterloo + check out Tutorial: Using Fixatives on your Artwork.

  • Artworks must comply with the standards of the gallery (i.e. no harsh smells, fumes, tripping hazards)

  • The gallery or venue will tell you their preferred hanging method for wall works. If they don’t provide instructions, it is safe to assume that all two dimensional works should be prepared for hanging using a strong, secure wire system to hang on a hook.


What does “body of work” mean?

 A body of work is a collection of artwork that represents a cohesive concept, style or technique. Viewed as a body of work, these art works should build on each other to indicate a particular artistic focus and thematic development. A body of work can be comprised of visually disparate individual works if the artists provides a strong concept for the viewer to read.

When submitting a body of work to a show, consider whether or not your conceptual statement will be available to viewers and how different arrangements of the collection might alter meanings or perceptions. While it might not always be necessary to submit the maximum amount of images to a call, it is usually good practice as it will provide the jury with more context and insight into your work. If your body of work includes a variety of mediums, consider the installation requirements for each work, and the historical connotations of the various installation at your disposal. For example, placing a small sculpture on a white plinth references the museum, the artefact and elevates the importance of an object. If these connotations do not add to your overall concept, it would benefit the body of work to consider other options.

How can I get paid for my art?


How do I write my artist biography?

Your artist biography is a short written narrative, usually one or two paragraphs long. The artist biography is usually written in the third person and it is accepted practice to use your last name when referring to yourself. It should only include information relating to your art career. Any personal information you include should only be in there to more fully illustrate your career as an artist. For example, if you make work about childhood memories, it might be useful to indicate where you grew up. If your work does not directly relate to your upbringing, consider leaving that out. The most important information should come first. Professional information might include your education/artistic training, special shows and awards, while the personal might include your background and significant life experiences.
  "How to Write Your Artist Bio (In 5 Easy Steps)", Guelph Arts Council

What to do when asked to combine your bio and artist statement?

You may wish to have a short biography and longer artist statement, or vice versa but in total it should not exceed one page. Remember to include your  name, date completed, contact information, website and social media if appropriate in your documents. Ask a number of people to edit for spelling and grammar, and to read for clarity of content before printing or submitting. This document may be widely circulated and published.